Minimalism in Azerbaijani architecture: an analysis of the balance between aesthetics and function

Abstract

Minimalism emerged in the second half of the 20th century as a distinctive architectural style characterized by simplicity and functionality, quickly spreading across global architectural discourse. This scholarly article examines the core philosophical and aesthetic principles of minimalism and explores its practical applications within contemporary Azerbaijani architecture. The aim of the study is to analyze the balance between visual aesthetics and practical functionality, as well as to assess the role of minimalism in urban planning, public spaces, and private structures. Through an in-depth analysis of modern architectural projects such as the Heydar Aliyev Center, Baku White City, and Port Baku, the article demonstrates how minimalist approaches have been adapted to the local context and contribute to the evolution of national architectural identity. Ultimately, the findings suggest that minimalism in Azerbaijani architecture functions not only as an aesthetic preference but also as a meaningful design paradigm that addresses both functional and social needs.